Women have always struggled for equal rights with men. The feminist movement commenced several centuries ago and lasts till our days. With the course of time women managed to prove that can be as good as men almost in all spheres of life. Due to all the efforts and social activity women altered the preconceive opinion towards themselves and achieved significant results. However, it was just several centuries ago that women were in absolutely different situation. In the nineteenth century women were considered to be born only for marriage but they did not have any choice even in that sphere. Most marriages were contracted regarding financial perspectives of the future family. Sometimes marriages were just a good bargain of two heads of family, and if men had the opportunity to choose, women had to be mute. Besides, they were deprived of any rights, they had to submit to men and if they dared to resist, it was considered inconceivable.
In her book, âThe yellow wallpaperâ, Charlotte Perkins Gilman showed the woman that was a typical representative of female society in that time. The author presents great and vital problems of human relationship, particularly between a husband and a wife, by the example of a woman who lives under the whole control of her husband. The main character, the narrator, wants to be free in her desires. However, she is always oppressed by her husband John. She should be passive and unemotional, because for her husband it is very convenient when only his decisions are taken into account. Being the womanâs doctor, it is easier for John to control his wife. Rest cure and no active work seems the best treatment for her. Still, it depresses the narrator. She begins to hide her thoughts from her husband. She starts writing a secret journal to express her inner world, as no one around her is actually interested in it. The woman realizes her position and the fact that she can do nothing. âIf a physician of high standing, and oneâs own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depressionâa slight hysterical tendencyâwhat is one to do?â (Gilman, 6)
However, the journal does not help the woman to get rid of oppressive thoughts about her unhappy life and indifferent husband. Therefore, her condition becomes worse, now she is more passive, more reserved, but the husband takes her passivity as the due effect of treatment. The former child nursery, where his wife spends her time, becomes a prison for her. Yellow wallpaper and bars on windows aggravate the situation. It is the wallpaper that becomes the object of her insanity, yellow wallpaper that surrounds the narrator becomes a part of her life. The reader watches how the woman gradually goes mad; it makes a strong and painful impression. When the narrator starts to see another woman in the wallpaper, readers realize that this woman is now absolutely insane. âThere are things in that paper which nobody knows but me, or ever will. Behind that outside pattern the dim shapes get clearer every day. It is always the same shape, only very numerous. And it is like a woman stooping down and creeping about behind that pattern.â(Gilman, 10)
With time the narrator becomes more and more obsessed with the pattern of the wallpaper, she sleeps less and her only thought is the woman in the wallpaper. Then the author of the story shows the horror of the whole womanâs life by bitter irony that is heard in the narratorâs words: âLife is very much more exciting now than it used to be.â (Gilman, 21) The fact that now, being insane, poor woman feels happier, strikes and terrifies.
In the end of the story, the narrator decides to free the woman in the wallpaper and peels it off. In such a way she tries to free herself and to escape from her prison. Having torn off the wallpaper, she identifies herself with the woman in the wallpaper and at the same time sees other trapped women outside, creeping around. âI donât like to look out of the windows evenâthere are so many of those creeping women, and they creep so fast. I wonder if they all come out of that wall-paper as I did?â (Gilman, 25)
Thus, the author highlights that such case of madness is not the only one. All women, being under the overall control of their husbands, unable to change the situation, suffer silently and undergo depression. The impossibility of self-development for women is the main theme of Charlotte Perkins Gilmanâs work. It is necessary to note that the main character does not have a name, as it is a general image of all oppressed by the society women. Meanwhile the story is told from the first person, therefore we can better feel the sufferings of the woman and besides read the thoughts of the author herself, that is of Charlotte Gilman. The message of the story is the necessity to change the status of women in that epoch and as the author said âit was not intended to drive people crazy, but to save people from being driven crazyâ.(Golden, 108)
- Gilman Perkins Charlotte. âThe Yellow Wallpaperâ. BookSurge Classics. 2002.
- Golden C. The Yellow Wallpaper: A Sourcebook and Critical Edition. 1 edition. Routledge. 2004. 95 â 156.
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Thesis Statement / Essay Topic #1: The Significance of First-Person Narration in “The Yellow Wallpaper"The central character in Charlotte Perkins Gilman’s short story “The Yellow Wallpaper" narrates her own life; however, the reader never learns her name. Gilman has cleverly taken the reader into the inner-most realms of a woman’s mind and experiences, yet the woman in “The Yellow Wallpaper" remains anonymous, a reflection of her status in society. Narration, of course, is an important element of any story or novel, and as readers, we are always evaluating whether the narrator of “The Yellow Wallpaper" is credible and reliable. The narrator of “The Yellow Wall-Paper" appears credible as the story opens, but as her mental state deteriorates, does her narrative follow suit? As you read this story, consider the role that narration plays in the development of the plot and the theme. How might the story of “The Yellow Wallpaper" have been different, for instance, if it had been told by the woman’s husband? Other important questions include: Why is it important that the woman narrator have the agency and the voice to tell her own story? What effects does this particular choice of narration have on establishing a connection with the reader and eliciting certain emotional responses.
Thesis Statement / Essay Topic #2: “The Yellow Wall-Paper" as a Feminist Story
“The Yellow Wall-Paper" was written in 1892, and is often referred to as a feminist short story. Given that the woman in the story goes mad because her role in society is limited and her ability to express herself creatively is constricted, can the reader assume that the author is making a feminist statement? This topic could take at least two different approaches. You could either situate the story within a larger sociohistorical context (i.e.: What was happening in 1892 that made this particular story so relevant and resonant, and why does it remain so important today?), or you could take the story only on its own terms: What does Gilman seem to say about “the female condition" in general by writing about the life of this one woman and her descent into madness in “The Yellow Wall Paper"?Thesis Statement / Essay Topic #3: The Relationship Between Creativity and Madness in “The Yellow Wallpaper"
It is often said that artists and writers are touched by a bit of madness, but might this story make the argument that madness springs from the inability to be expressive and creative? For this essay on “The Yellow Wallpaper", consider the development of the mental disorder that increasingly consumes the narrator of “The Yellow Wallpaper”, and identify her symptoms and their possible causes. Look for textual evidence in the narrator’s description of her own condition. What differences do you observe in her opening insights and those which can be gleaned from the conclusion? Can you make a case that the narrator decompensated in “The Yellow Wallpaper" because she could not find a creative outlet?
Thesis Statement / Essay Topic #4 Victorian Gender Roles in “The Yellow Wallpaper"
While the female narrator in “The Yellow Wallpaper" gains the most critical attention in essays on “The Yellow Wall-Paper," what is the reader to make of the narrator’s husband, John? He is a physician who recognizes his wife’s compromised state, but he does not seem to realize just how severe her condition is, nor does he have an adequate way of treating it. Instead, he insists that country air will restore her senses and that isolation from others will give her room to breathe and think. The textual evidence from “The Yellow Wallpaper" suggests that John is a caring husband and that he does have positive intentions for his wife; however, he is bound by traditional gender roles. Look to the text for examples of John’s positive intentions, and find ways to support the argument that despite his best intentions, the fact that he was constricted to a particular gender role limited his ability to truly prevent his wife from slipping into insanity.
Thesis Statement/Essay Topic #5: The Symbol of the Yellow Wallpaper
The story is titled “The Yellow Wall-Paper," and indeed, the dreadful wallpaper that the narrator comes to hate so much is a significant symbol in the story. The yellow wallpaper can represent many ideas and conditions, among them, the sense of entrapment, the notion of creativity gone astray, and a distraction that becomes an obsession. Examine the references to the yellow wallpaper and notice how they become more frequent and how they develop over the course of the story. Why is the wallpaper an adequate symbol to represent the woman’s confinement and her emotional condition?
This list of important quotations from “The Yellow Wallpaper” will help you work with the essay topics and thesis statements above by allowing you to support your claims. All of the important quotes from “The Yellow Wall paper” listed here correspond, at least in some way, to the paper topics for “The Yellow Wallpaper” above and by themselves can give you great ideas for an essay by offering quotes about other themes, symbols, imagery, and motifs than those already mentioned. All quotes from “The Yellow Wallpaper” contain page numbers as well. Look at the bottom of the page to identify which edition of “The Yellow Wallpaper” they are referring to.
“John is a physician, and perhaps—(I would not say it to a living soul, of course, but this is dead paper and a great relief to my mind–) perhaps that is one reason I do not get well faster." (74)
“So I take phosphates and phosphites—whichever it is, and tonics, and journeys, and air, and exercise, and am absolutely forbidden to ‘work’ until I am well again. Personally, I disagree with their ideas. Personally, I believe that congenial work, with excitement and change, would do me good." (74-75)
“I never saw a worse [wall]paper in my life. One of those sprawling flamboyant patterns committing every artistic sin. It is dull enough to confuse the eye…, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves…they suddenly commit suicide…." (76)
“It is so discouraging not to have any advice and companionship about my work." (77)
“I never saw so much expression in an inanimate thing before, and we all know how much expression they have! I used to lie awake as a child and get more entertainment and terror out of blank walls and plain furniture than most children could find in a toy store." (78)
“It is getting to be a great effort for me to think straight. Just this nervous weakness I suppose." (80)
“There are things in that paper that nobody knows but me, or ever will." (81)
“It is so hard to talk with John about my case, because he is so wise, and because he loves me so." (81)
“I really have discovered something at last….Sometimes I think there are a great many women behind [the wallpaper], and sometimes only one, and she crawls around fast, and her crawling shakes it all over." (85)
“I have found out another funny thing, but I shan’t tell it this time! It does not do to trust people too much." (86)
Reference: Gilman, Charlotte Perkins. “The Yellow Wall-Paper." In Great Short Stories by American Women. pp. 73-88. Candace Ward, ed. New York: Dover, 1996.